There's this hilarious bit at the beginning where they film the audience going in, and there's Sir Ian McKellen, Neil Tennant... had someone bombed the venue British homosexuality would've been set back half a century.
( Cards and presents. )Was complained at this year for not having Christmas music, but truth is I haven't heard anything good/new I liked recently and I'm fairly sick of my Christmas playlist from preceding years. XD So here's, uh, requested stuff from yesterday.
Tsuji Ayano - Neko ni naritai
Tsuji Ayano - CherryTsuji Ayano Spitz covers for
usomitai. *g* The first is from a Spitz tribute album, the second is from Tsuji Ayano's own covers album that also includes versions of "Ougon no tsuki" and "Swallowtail Butterfly", among others. (Ukelele folk, for those just joining us in this corner.)
Final Fantasy - Peach, Plum, Pear (live Phoenix 2006): the aforementioned Youtube rip. Actually, what is even better than this one--
Final Fantasy - Fantasy (live): the Mariah Carey hit, bogglingly reconfigured for dude + solo violin + sampler. You can actually hear the audience XDing to this. Novelty factor high enough to warrant office email cc-ing - then again, "Peach, Plum, Pear" and "Fantasy" document the same emotion, only in different terms.
Patrick Wolf - Tristan: for
jereeza. The story behind this one is that PWolf was living in a shack in Cornwall - being where the romance of Tristan and Iseult took place - went for a walk along the beach and got caught in a thunderstorm, then dragged himself home and wrote the song in 5min. As T remarked that is pretty much what it sounds like (or alternately, not a little like Depeche Mode).
Wolfman feat. Pete Doherty - Darksome Sea (Rough Version): just the Youtube rip again, talking and all, but not mine (it's an annoying and time-consuming process :P). Those of you out there anthopomorphizing
The Birth of Tragedy to the tune of 21st-century emo, it could always be worse: you could've decided in the waning days of 200
7 to be a Libertines fan. This is actually all Jonathan Ross's fault, because sororial unit kept watching his show on Youtube and happened on Pete Doherty and liked him. So the moral of the story is, never trust a man who snogged Neil Gaiman in public. I sort of made fun of her a lot, then sat down and pondered the possibility that there was a Real World Out There beyond ILM and LJ fic comms where this was not, in fact, all that embarrassing. Like, in the Real World there are people who make the unironic claim that Pete Doherty is the best English songwriter since Liam Gallagher. Sorry, Oasis fans on flist, but. You know. YOU KNOW.
Given that I didn't particularly enjoy The Libertines' music back in 2004, the fact that I know anything about this band (or Babyshambles, etc.) has to be a form of fandom osmosis, like my knowledge of the plot of Naruto. Was trying to explain the whole insane canonical WNGWJLEO melodrama to Aki last night (sorry Aki - connection died as always =_=), and she was like, SO HOW IS THE FIC THEN, and I was like, UM. ACTUALLY I HAVE NEVER READ THE FIC. Which isn't true, I'm sure I have, I just can't remember anything. In the meantime some of the famous-er songs gradually filtered in, and "For Lovers" ended up on the mythical Nana FST Part II, which I may finish sometime before
Chinese Democracy. Once my sister pushed her Babyshambles mp3s on me I realized there were like two dozen more where that came from, so, heck.
Babyshambles - There She Goes (A Little Heartache): like this one, which really doesn't sound like anything I'd've expected. I was reading Scott Pilgrim so it reminds me of Envy Adams, basically. XD;
Babyshambles - Albion: and this, which is ridiculously pretty. (It also starts with thirty seconds of feedback noise, so don't worry about the sound card.) Okay I haven't forgotten that I promised visual reference when I start yammering on about bands, so
( here's a video of the song. )Burial - Archangel: been
posting about Burial too, so here's the track everyone says is an insta-classic à la "Teardrop". Not so sure myself but it may just be that the rest of the album is like this as well, so it's not a standout in the same way. At any rate I've been listening to it a lot. No visual reference though, since no one knows what the dude looks like. XD;;
If you're on carnet, btw,
here's the full text of the interview I quoted. It's worth a read. OMG hauntology, etc. XD (And
here's the short story for those as missed it. I wish someone had written something like this for the SSBB horror issue. XDD)