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petroniaNow that I consider it, it pleases me to think of "Happiness" as intended as a microhouse cover of Oruha - as it might be of Brian Eno or Kylie Minogue. Herr Spitcher may sample and vary as he pleases; the fragment he utilises will do. One has not heard the original, but everyone has heard the original. Schumann might have notated it innere Stimme.
Still, to file under 'Fact Trumps FST'. XD
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Mikhail remarked on TRC!Oruha's quality of apartness; one might believe her to be a "fellow traveller", though nothing is implied. I find in writing that Oruha ("the fictional character of Oruha") has the same aptitude for intertextual infiltration as Yuuko, though recognition is often unaccountably delayed - that's her in my Chiaki-centric Mirage piece, but I only realised it much later. With Yuuko one may point to canon. Oruha is a Greek chorus of sorts as well. But all that is a red herring: witness, say, Sherlock Holmes...
Still, to file under 'Fact Trumps FST'. XD
***
Mikhail remarked on TRC!Oruha's quality of apartness; one might believe her to be a "fellow traveller", though nothing is implied. I find in writing that Oruha ("the fictional character of Oruha") has the same aptitude for intertextual infiltration as Yuuko, though recognition is often unaccountably delayed - that's her in my Chiaki-centric Mirage piece, but I only realised it much later. With Yuuko one may point to canon. Oruha is a Greek chorus of sorts as well. But all that is a red herring: witness, say, Sherlock Holmes...
