Meme on the fly
Feb. 25th, 2005 06:26 pmGoing to my own birthday party (must not try to be late, as last time I was and my friends made fun of me >_>). But forgot to repost this when I asked
canis_m a question:
Ask me any one question about my writing, then post this in your LJ so I can ask one of you.
(Not going to do the Ten Things one. Not because I haven't, but because it takes too long to think these things up. ^^;)
Ask me any one question about my writing, then post this in your LJ so I can ask one of you.
(Not going to do the Ten Things one. Not because I haven't, but because it takes too long to think these things up. ^^;)
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Date: 2005-02-25 11:40 pm (UTC)no subject
Date: 2005-02-26 12:43 am (UTC)no subject
Date: 2005-02-26 01:17 am (UTC)no subject
Date: 2005-02-26 01:37 am (UTC)no subject
Date: 2005-02-26 01:42 am (UTC)no subject
Date: 2005-02-26 02:27 am (UTC)no subject
Date: 2005-02-26 04:29 am (UTC)(In other words, how ashamed should I feel of my low output? ^_~)
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Date: 2005-02-26 05:40 am (UTC)How do you do it? Does it come naturally, or do you plan things out?
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Date: 2005-02-26 05:58 am (UTC)no subject
Date: 2005-02-26 06:13 am (UTC)There's another aspect of me that made me choose writing over other forms of creation/expression, that being that I tend not to think of things as real until they're written down. ^^; Hence when minor unpleasantries like arguments happen to me I don't blog about them; usually I forget about them right away, but even if I don't, it's only the act of "composing" it in text (even just in my head) that gives them solidity.
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Date: 2005-02-26 06:16 am (UTC)no subject
Date: 2005-02-26 06:24 am (UTC)OTOH I also have full-fledged ideas that I've started writing only to abandon after a few paragraphs when it becomes clear that I can't do them justice (about half the ones I start), and a few longstanding intricate mental narratives that I never tried or bothered to write down at all.
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Date: 2005-02-26 06:38 am (UTC)What I have playing depends on what I'm writing. It's not so much the act of writing that calls for a certain genre or band, but that the overall mood of a series or fic matches the overall mood of a set of songs, and the lyrics of those songs will feed back into the fic, and so forth. Or I happen to be listening a lot to bossa nova or Korean pop or EBM, and will write a fic in that emotional register using my fandom du jour. Pretty much everything I've written over the course of the past three years has specific music attached to it, but it's not always obvious from the final text that this is the case, and the connection can appear arbitrary even to me. ^^;
The one exception is when I write sex scenes, and then it's all about working around my own natural reticence. ^^; Most of my sex scenes are written mildly drunk and listening to - I don't know, Marvin Gaye?
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Date: 2005-02-26 06:47 am (UTC)no subject
Date: 2005-02-26 06:59 am (UTC)He stands, not too far into the water, his back to me. He is very still; sometimes he shifts his weight against the pull of the tide, that is all. Too still, for Maxwell. If he is talking to himself, the sound is drowned by the roar of the breakers. He has rolled his usual dark pants up to his knees to keep them from the salt water. I find myself suddenly comforted by that small mark of foresight, as if it were the only proof that he is not going to walk into the sea to disappear forever. But he does not move, and so I simply lie with my cheek against the grass, watching him watch the sea. The perfume of the trees dulls my senses gradually until I no longer detect it, only the scent of the soil and the sharper one of green growth.
This becomes:
He stands with his back to me, not too far past the tideline; very still. Too still, for Maxwell. Sometimes he shifts his weight against the pull of the tide, but that is all. The roar of the breakers drown any sound he might be making. He's rolled his pants up to his knees to keep them from the salt water: the small mark of foresight comforts me, as if it furnished an assurance that he would not walk into the sea and disappear. He does not, however, move.
I lie there, my cheek against the grass, and watch him watch the sea. The perfume from the trees dulls my olfactory sense until it's no longer detectible, only the scent of the soil and that, sharper, of green growth.
...What does that say to you? :P I sense that I'm trying to exchange verbosity for precision, having little patience left for my former "poetic" and "pretty". Crutches and strategically placed veils, all that.
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Date: 2005-02-26 03:18 pm (UTC)Two questions in one, but...
Date: 2005-02-26 03:36 pm (UTC)P.S. Thanks for the sample passages a few replies up - gives a new and very verbose writer like myself hope that things will improve.
Happy Birthday!
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Date: 2005-02-26 03:48 pm (UTC)Do you feel the need to edit your writing at least a thousand times (like me?) until it reaches some semblance of perfection?
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Date: 2005-02-26 05:04 pm (UTC)no subject
Date: 2005-02-26 06:35 pm (UTC)(Going around asking this of everyone, obviously. XD;;)
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Date: 2005-02-26 11:21 pm (UTC)What did I say a few years ago? XD I suppose it depends on what you mean by structure. A story will first occur to me in fragments of sentences and images - "Hao looked at him with something approaching sadness in his eyes. He had been his father's lawyer for nearly three decades." - and I'll know when in the canon continuity the scenes are set, what character(s) it centres on, approximately how long or short the end product will be, and (most times) the narrative person/tense. Those things comprise the fic idea for me, and thus are pretty much set in stone. Everything else changes; often the actual story is several disparate ideas strung together and used to make a point. I usually don't know what the point of the story is until I'm close to finishing it, and a lot of my interest in the writing process is discovering that for myself. XD
There usually comes a point where my sense of the structure of the final product outstrips my sense of what I'm trying to say, ex. "and in this scene they talk and X discovers something, but I don't know what." This isn't the case if I'm trying to write something longer than about 5000 words, though, which is one of the reasons I'm kind of arse at multi-parters. ^^;
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Date: 2005-02-26 11:23 pm (UTC)Re: Two questions in one, but...
Date: 2005-02-26 11:34 pm (UTC)What I need to improve on the most: plot mechanics. I also shy away from the portrayal of raw emotional pain, because I have trouble separating my characters' turmoil from my own emotional state. It might be a matter of courage.
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Date: 2005-02-26 11:40 pm (UTC)no subject
Date: 2005-02-26 11:40 pm (UTC)no subject
Date: 2005-02-26 11:58 pm (UTC)no subject
Date: 2005-02-27 12:09 am (UTC)It's regressed in volume, though, certainly. x_x
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Date: 2005-02-27 06:50 am (UTC)Do you think lj has effected your writing much?
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Date: 2005-02-28 04:19 pm (UTC)