Semagic's working again, joy of joys
Jul. 9th, 2007 06:40 pmMore Fantasia reviews!
Ghost in the Shell S.A.C.: Solid State Society: the problem with trying to wrap a Standalone Complex-style plot in 1h45min is that the exposition gets really, really clunky. "As you know, Ishikawa, the political quandary caused by the fall of the Seok Republic..." And the ending felt like a bit of a copout, somehow. But basically it was just a long, excellent episode of the TV series.
T and I were talking about Transformers later that evening, and I said that at Nickelodeon-age I was alienated by "boy" cartoons - wouldn't watch anything that had robots, cars, or muscly men. I didn't even like muppets as most of them were funny-looking (the bulk of my Sesame Street-watching was done as a pre-teen, at which point I was old enough to get the puns). I did, however, enjoy watching G.I. Joe. XD;; Thinking about it that was basically like GitS:SAC for six year olds (insert own American foreign policy zing). Scarlett! Snake Eyes! OSHI IT'S STARTING TO COME BACK TO ME.
I was reading an article in Adbusters by a college professor who lamented that her twentysomething students were utterly refractory when asked to assess the influence of consumer culture on themselves, even though they accept the theory readily - that in effect the generational brainwashing by the likes of Hasbro was a total success. "Yes ma'am, child-targetted advertisement sure is nefarious, but don't you go hatin' on Strawberry Shortcake."
Yellow Fellas: bit of an amateur production. I do care about how films look, very much so, and this wasn't it. ^^; It was a free showing (the line stretched futilely around the block as the theatre only had 300-something seats) and a tale of personal endeavour so the crowd was inclined to be indulgent, I think. The script was the best part of it but I find that kind of humour only mildly amusing, and to be honest I don't relate to the existence of a greater North American "Azn Pride" identity, even defined parodically. Insofar as it strikes its mark it must be with regard to Asian men, at any rate, not Asian women, of whom there are a grand total of zero in the film (if you don't count the baby daughter).
Ghost in the Shell S.A.C.: Solid State Society: the problem with trying to wrap a Standalone Complex-style plot in 1h45min is that the exposition gets really, really clunky. "As you know, Ishikawa, the political quandary caused by the fall of the Seok Republic..." And the ending felt like a bit of a copout, somehow. But basically it was just a long, excellent episode of the TV series.
T and I were talking about Transformers later that evening, and I said that at Nickelodeon-age I was alienated by "boy" cartoons - wouldn't watch anything that had robots, cars, or muscly men. I didn't even like muppets as most of them were funny-looking (the bulk of my Sesame Street-watching was done as a pre-teen, at which point I was old enough to get the puns). I did, however, enjoy watching G.I. Joe. XD;; Thinking about it that was basically like GitS:SAC for six year olds (insert own American foreign policy zing). Scarlett! Snake Eyes! OSHI IT'S STARTING TO COME BACK TO ME.
I was reading an article in Adbusters by a college professor who lamented that her twentysomething students were utterly refractory when asked to assess the influence of consumer culture on themselves, even though they accept the theory readily - that in effect the generational brainwashing by the likes of Hasbro was a total success. "Yes ma'am, child-targetted advertisement sure is nefarious, but don't you go hatin' on Strawberry Shortcake."
Yellow Fellas: bit of an amateur production. I do care about how films look, very much so, and this wasn't it. ^^; It was a free showing (the line stretched futilely around the block as the theatre only had 300-something seats) and a tale of personal endeavour so the crowd was inclined to be indulgent, I think. The script was the best part of it but I find that kind of humour only mildly amusing, and to be honest I don't relate to the existence of a greater North American "Azn Pride" identity, even defined parodically. Insofar as it strikes its mark it must be with regard to Asian men, at any rate, not Asian women, of whom there are a grand total of zero in the film (if you don't count the baby daughter).